![\"1997-05-15-LHERITAGE](\"https:\/\/www.draugas.org\/news\/wp-content\/uploads\/2016\/02\/1997-05-15-LHERITAGE-1-300x92.jpg\")
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A MOVIE IS IN TROUBLE IF THE FINAL CREDITS are as interesting as the picture. But study the closer on Disney\u2019s blockbuster \u201cThe Lion King\u201d. In the five long minutes it runs, you will acquire a sense of where today\u2019s $80 million budgets are coming from. And you will see, among the thousand or so writers, animators, and sound technicians, several Lithuanian names. You might think, gee, Lithuanians in Hollywood. So far from our ethnic strongholds in Chicago, Boston, and New York. How quaint. Not at all. From its earliest days, Lithuanians have influenced California filmmaking. The Hollywood industry was built by Jews in the early 1900s, and a surprising number of prominent Jews in entertainment trace, their origins through pre-communist, religiously tolerant Lithuania. And beyond the Lithuanian Jews are some Lithuanians by blood who have had a significant impact.<\/p>\n
The undisputed star of our cast is British actor\/ director Sir John Gielgud (Gelgaudas). He is a descendant of Lithuanian nobility on his father\u2019s side and a relative of English stage legend Ellen Terry on his mother\u2019s. It was his own stage work as a Shakespearean actor, however, that earned him a knighthood in 1953. He is generally acknowledged as his generation\u2019s foremost dramatic artist after Sir Laurence Olivier.<\/p>\n
Anyone would be proud to claim Sir John\u2019s accomplishments outside of his Shakespearean specialty. With directing experience dating back to the 1930s, he won American theatre\u2019s Tony Award in 1961 for directing \u201cBig Fish, Little Fish.\u201d He won the 1982 supporting actor Oscar for portraying Hobson, Dudley Moore\u2019s memorable butler\/surrogate father in the film \u201cArthur.\u201d And to complete a rare drama triple, he won an Emmy Award for lead actor in the television production \u201cSummer\u2019s Lease\u201d in 1991 after four unsuccessful nominations. Sir John has also written four well-received books about his acting experiences, which span the twenties through the nineties and over sixty films including the 1964 Oscar-nominated \u201cBecket.\u201d<\/p>\n
Actress\/singer Ann Jillian (Jurate Nausedaite) has spent virtually her entire life in show business, debuting at a Lithuanian social function in her native Boston at age four. The music stopped, as she recalls, but she kept singing. Her sense of teamwork may have been off, but her immigrant parents were impressed. They moved to southern California a year later to allow her to develop her talents and make professional contacts. The first of these led to a film part in Disney\u2019s \u201cBabes In Toyland\u201d (1961). She was ten. A feature role followed in \u201cGypsy\u201d (1962). Among TV guest appearances as a child, perhaps her most memorable role was in the landmark science fiction series \u201cThe Twilight Zone\u201d in 1963. She gave a sharp portrayal of a pretty little blonde with a severe case of \u201cnew kid on the block\u201d anxiety.<\/p>\n
No one recalling the Twilight Zone spot was surprised when Ann became a household name in 1980 as a regular in the situation comedy \u201cIt\u2019s a Living.\u201d She \u201clit up the show\u201d as a chic L.A. restaurant waitress, as one critic put it. She\u2019s gone on from there to made-for-TV movies, gathering Emmy Award nominations for \u201cMae West\u201d (1982), \u201cEllis Island\u201d (1984), and a self-portrayal in \u201cThe Ann Jillian Story\u201d (1988). Which isn\u2019t as selfserving as it sounds, focusing on her triumph over breast cancer. Ann continues to emphasize the importance of early detection as spokesperson against the disease.<\/p>\n
A movie loses money if its director isn\u2019t equally artistic and detail-minded, a rare combination in people. So it\u2019s a tribute indeed to screen writer\/director Robert Zemeckis to have had a nearly uninterrupted series of hits dating back to his debut \u201cI Wanna Hold Your Hand\u201d (1978). He was, at that point, barely five years beyond splicing newsfilm for the local NBC office on college breaks.<\/p>\n
\u201cDeath Becomes Her\u201d (1992) stopped the string of moneymakers, but he recovered quickly with the $300 million blockbuster \u201cForrest Gump.\u201d Gump won the Lithuanian American from Chicago his first directing Oscar. Critics, however, favor two earlier films: \u201cBack to the Future\u201d (1985) and \u201cWho Framed Roger Rabbit\u201d (1988). Roger Rabbit broke the ground that films like \u201cSpace Jam\u201d walk today, a combined animation\/live acting adventure. The science fiction-oriented \u201cBack to the Future\u201d likewise challenged the technical people. Zemeckis and college friend Bob Gale shared credit for its Oscar-nominated script.<\/p>\n
With the two \u201980s films, descriptions like \u201ccreative\u201d, \u201cenergetic\u201d, and \u201cfunny\u201d began to be consistently applied to Robert\u2019s work. One pre-Gump writer went so far as to call him \u201cmaybe a great director in the making\u201d. We\u2019ll see.<\/p>\n
Actor Charles Bronson (Bucinskas) met physical challenges before facing Hollywood\u2019s artistic ones. He worked in the mines of his native Pennsylvania as a teenager and fought in the Pacific during World War II. One of fifteen children in a Lithuanian American family, his early Hollywood movie triumphs placed him in a crowd too: \u201cThe Magnificent Seven\u201d (1960), \u201cThe Great Escape\u201d (1963), and \u201cThe Dirty Dozen\u201d (1967).<\/p>\n
Like Clint Eastwood, Bronson attained international fame before becoming a U.S. hit. He carried the Sergio Leone Italian western \u201cOnce Upon a Time in The West\u201d (1969), outshining both Henry Fonda and Claudia Cardinale. Choices usually come with success, however, and he was either not very good or not very lucky at picking among the projects coming his way after returning from Italy. \u201cThe Mechanic\u201d (1972) and \u201cMr. Majestyk\u201d (1974) are typical \u2014 low budget, mediocre quality and box office results. But then this is the artist who, in 1964, had declined the Leone role of The Man W ith No Name that established Eastwood in three productions.<\/p>\n
Writers usually deemed Bronson\u2019s work competent. He certainly was that over a fairly limited range. However, it\u2019s faint praise for someone making $2.5 million a picture, as Bronson was in his prime in the mid \u201970s. But forever after 1972, writers could accurately note that he was voted \u201cmost popular actor in the world\u201d that year. And that\u2019s quite a flattering fact.<\/p>\n The file on actress Ruta Lee (Ruta Kilmonyte) bears many similarities to Ann Jillian\u2019s. Born in Montreal in 1935 and showing dramatic potential by age five, Ruta\u2019s Lithuanian immigrant parents moved to Hollywood in 1948. While still a college drama major, she gathered movie credits in the musicals \u201cSeven Brides For Seven Brothers\u201d (1954) and \u201cFunny Face\u201d (1957). Several years and films later, however, she decided to concentrate on a television career. To date, she has over 500 credits, many of the popular sixties and seventies shows included. Her agent at one point called her \u201cthe workingest girl I\u2019ve ever seen in this business.\u201d<\/p>\n While less well known nationally than Jillian, Ruta has a large and devoted ethnic following in California. This is probably due to her attention to her roots as much as to her acting successes. Fluent in Lithuanian and a member of the Knights of Lithuania, she also waged an eight year diplomatic battle to obtain the release of her maternal grandmother from soviet-controlled Lithuania in 1964. A second campaign freed a teenaged cousin in the early 1980s.<\/p>\n World War II was in full swing when Hollywood discovered its first Lithuanian American talent from Boston, a nineteen year old stage actress named Ruth Roman. Barely a year beyond secondary education at a prestigious drama school, she broke into films in 1943 with \u201cStage Door Canteen\u201d and proceeded to star in almost fifty productions. Ruth averaged four films a year between 1948 and 1952 before work started to lag. Oddly, interest in her picked up in 1956 amid the publicity on the sinking of the luxury liner Andrea Doria. She had been a surviving passenger.<\/p>\n Critics were restrained in their praise of her acting, but the carnival worker\u2019s daughter still progressed from her early glamorous mannequin roles to more demanding parts. Watch \u201cThe Window\u201d (1949), Alfred Hitchcock\u2019s \u201cStrangers on a Train\u201d (1951), or \u201cThe Far Country\u201d (1955) and judge for yourself.<\/p>\n Pull up a chair, too, when any of the two dozen films of Mari Aldon, Kaz Garas, Jack Sernas, or Joanna Shimkus plays on the late show. Shimkus has led the most interesting life of these. Canadian-born in 1945, she modelled in Montreal and Paris before turning to French filmwork. Her first U.S. production teamed her with Sidney Poitier in \u201cThe Lost Man\u201d (1969). They\u2019ve been married since 1976, making them one of Hollywood\u2019s more remarkable matches.<\/p>\n Among the many remarkable Jewish entertainers with Lithuanian ties are Lithuanian-born singer\/actor AI Jolson and actor Laurence Harvey (Laurynas Skinkis). Jolson, from Sered\u017eius, gained immortality by starring in the first motion picture with sound, 1927\u2019s \u201cThe Jazz Singer\u201d. He was billed as \u201cAmerica\u2019s greatest entertainer\u201d in the heyday of Capone, Grange, and Ruth. Harvey, a Joni\u0161kis native, is perhaps best remembered for the 1962 political thriller \u201cThe Manchurian Candidate\u201d. His international film credits totalled sixty with one Oscar nomination (\u201cRoom at the Top\u201d, 1959) when cancer claimed him at age forty-five in 1973.<\/p>\n Other Jews with familial Lithuanian connections include The Three Stooges, actor Ed Asner, screenwriter Rod Serling and comedian\/actor Alan King. Moe, Curly, and Shemp Howard, sons of a Lithuanian Jew, formed the backbone of the Stooges, the wellknown comedy group which made over 200 films between 1930 and 1971. Serling created and wrote \u201cThe Twilight Zone\u201d, the legendary 1960\u2019s. TV show. Asner won fame and five Emmy nominations for his lead character work in \u201cLou Grant\u201d and \u201cThe Mary Tyler Moore Show\u201d (1970-82). King was a staple comic on the popular \u201cEd Sullivan\u201d program in the 1950s who later appeared in a handful of movies.<\/p>\n But you especially have to like the background of actor Walter Matthau, star of \u201cThe Odd Couple\u201d (1968) and fifty other films. Talk about an odd couple, his poor immigrant parents were a Russian Orthodox priest and a Lithuanian Jewess. Every penny counted with them, so he got his show business start at age eleven in a New York Yiddish theatre. Surely a playwright or TV writer can do something with that.<\/p>\n","protected":false},"excerpt":{"rendered":" A MOVIE IS IN TROUBLE IF THE FINAL CREDITS are as interesting as the picture. But study the closer on Disney\u2019s blockbuster \u201cThe Lion King\u201d. In the five long minutes it runs, you will acquire a sense of where today\u2019s $80 million budgets are coming from. And you will see, among the thousand or so …<\/p>\n","protected":false},"author":3,"featured_media":2672,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[69],"tags":[146,78],"class_list":["post-2670","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-art","tag-greeg-t","tag-lith-heritage"],"_links":{"self":[{"href":"https:\/\/www.draugas.org\/news\/wp-json\/wp\/v2\/posts\/2670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.draugas.org\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.draugas.org\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.draugas.org\/news\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.draugas.org\/news\/wp-json\/wp\/v2\/comments?post=2670"}],"version-history":[{"count":0,"href":"https:\/\/www.draugas.org\/news\/wp-json\/wp\/v2\/posts\/2670\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.draugas.org\/news\/wp-json\/wp\/v2\/media\/2672"}],"wp:attachment":[{"href":"https:\/\/www.draugas.org\/news\/wp-json\/wp\/v2\/media?parent=2670"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.draugas.org\/news\/wp-json\/wp\/v2\/categories?post=2670"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.draugas.org\/news\/wp-json\/wp\/v2\/tags?post=2670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"Sir](\"https:\/\/www.draugas.org\/news\/wp-content\/uploads\/2016\/02\/1997-05-15-LHERITAGE-3-175x300.jpg\")
![\""Ruta](\"https:\/\/www.draugas.org\/news\/wp-content\/uploads\/2016\/02\/1997-05-15-LHERITAGE-4-300x236.jpg\")
known in English as rue \u2014 as celebrated in the poetry and song of Lithuania as the shamrock, which it
vaguely resembles, is in Ireland. And showing a proper sentiment, she raises it in her garden in
Hollywood.”
Chicago Tribune, May 27, 1961.<\/figcaption><\/figure>\n